Saturday, 21 March 2009

Junior Planning 101..

Books you should know about/have read. Picture via Russell. Usual rules apply.

Inspired by Adland Suit's two posts for Junior Account handlers (as well as some advice for finding your way), I thought I should write a little missive for grad planners, or planners who've only just started. (Yes, the APSOTW is also bloody useful for this, so go read that too).

I'll preface this all by saying i'm really, still, a baby planner myself (just over 2 years of being a planner), so i'm still learning some of these - and feel free to chip in if there's something i've missed/can add to another post.

Anyway, on with the post.

1) You're bright; you aren't useful yet. A lot of planners will be incredibly bright chaps and chappesses who like the thinking behind brands and much more - how the mind works, the social impact of the decline of the Norwegian leather industry in 1980, anime and so on - but that's not immediately useful. All that said; you're still basically an interested student. You don't really have knowledge of client relationships, of business or even of how to talk to different 'types' of creative. So don't waltz in and expect to have it handed to you - it's extremely unlikely you'll have creatives coming up to you and listening to you from the off. You may have a first from your University and have been academic hot shit; that doesn't mean anything in the real world.

2) Data's one of your weapons. No-one else in the agency will know the penetration of yellow fats in lower income households. You must suck up this sort of data - it's vital business information, and it means, effectively, you can participate in conversations with the client, with creatives, and with account management. Without it, you've got the square root of fuck all - senior planners can go with their gut because they've done it before. You can't.

3) Smugness will not be tolerated. You are a planner, and that means you have to get on with people. By all means be a grumpy fucker now and then (sometimes it's a useful tactic when trying to get your thinking heard), but if you are perceived as smug, you've entirely destroyed your value. Think about it. If you're smug (though the agency and client may believe you know what you're talking about) you won't be perceived as empathetic, and it's a killer. Planners have to understand their audience; they can never truly 'know' what punters are going to do next. You can have a damned good understanding, but if you get into a routine where you think you know the audience better than themselves, you're kidding everyone, and the work and your relationships will reflect that. You're in a privileged position, being paid to think - don't abuse it.

4) Don't be too quiet. It's oh so easy to retreat into an ivory tower of thinking, just because that's what you used to do when writing about Milton's England or convalent bonding. This is advertising; it is not a place for the timid. You're being employed for your opinions, so speak up. Also, you're (again) in a damn privileged position to be able to talk to more senior suits and clients than your junior account handler counterpart; so you have to be able to bring your thoughts to the table. Obviously, don't be too loud and opinionated, as everyone will hate you - but for God's sake, don't be the bright quiet (and ultimately useless) one.

5) Work on your ability to think laterally. By this, I don't mean reading and regurgitating planning books (though reading several of them is a good idea). I refer instead to reading, as my old boss says, 'weird shit'. Read/watch stuff which opens your mind. You'll never know when that quote from Howard's End can be used to help reposition your automotive brief, or what a tea brand can learn from Grandaddy. Spouting things about a 'purpose idea' or a 'lighthouse identity' is old news. You should know it, but don't be over reliant on it. Lots of baby planners talk about the same old shit. How's that going to create interesting communication, or good propositions?

6) Job title is unimportant. I was told by Charles and Richard a while ago, that there's no such thing as a junior planner. You either are one or you're not. Took me a while to realise, but I think it relates to point 4 - senior and junior planners alike are paid for their informed opinions. This also relates to whatever prefix comes before 'planner'. Digital, comms, integrated, account - planners should be able to think in every discipline. After all, it's ideas and strategies you are dealing with - would that TV spot be able to work in digital? Why not? Could it be shared? Again, don't become a discipline snob, or assume that because you've specialised, you know best. Absolute nonsense, that.

7) Account management are your friends. These guys go through hell and back to keep the show on the road, so you should show them the utmost respect. All you do is think. Who's got the easier job? Don't be surprised if your account team don't know x or y about a brand or market - often, they are problem solvers, and often don't have time to stop and consider certain issues like you do. They aren't stupid, or 'unstrategic'. Just because you're the planner on the business doesn't mean you automatically know best. Account handlers are just as bright as you - but focused on other areas. Also, whilst your job is increase knowledge on the account now and then you'll find yourself doing some basic account handling. It may not be what you signed up for, but maintaining the client relationship is paramount, and if you are sometimes involved in writing a cheeky contact report or leading the relationship on one project, it should accepted without a grumble.

8) More Powerpoint doesn't mean better thinking. If account handlers have contact reports as their personal hell, then for planners, it's got to be the endless competitive reviews, especially when you're starting out. You'll note that some clients seem to think the longer the presentation, the better it is. Well, let me tell you that no-one learned anything from the 150+ slide presentation which was presented last time. Far far better to keep it to 30 slides of well thought out thinking than bombarding with endless ads and miscellaneous thinking. Plus, as Jon Steel put it in the Perfect Pitch, no-one speaks like Powerpoint; so why present most thinking on it? Far better, more often than not, to chat to your client about things.

9) Information is fine, but filtration is best. You've been employed because they think you can deal with all different types of data - from quotes to sales statistics. What you need to do is synthesise the data into something your client and all the agency folk you deal with can understand. This is a large, large part of your role, and one where it pays to talk to senior planners about what they'd ignore and what they'd use. It's all too easy to get bogged down in data; the crappest planners offer too much in the hope they're doing the right thing.

10) Find a mentor. As mentioned in other points, you don't know jack at this stage. But, assuming you know what you don't know, you should realise planning is a bit of a beast to try and learn all by yourself. Perhaps you have been lucky enough to find someone at your new/current agency who can show you the ropes and advise you (because, God knows - whether junior or senior, all planners need advice now and then). Or perhaps you haven't. If you haven't, go and find one! Read planning blogs (like Northern Planner's excellent series of planning tips) and exchange emails - go to APG events, meet other planners. The APG's introduction to planning is terrific to teach, and to help you meet your peers. You'll find people who inspire you, and people who can mentor you; they'll go on helping you throughout your career.

Phew. There are a few tips for you guys. Any other folk who have other suggestions, stick 'em in the comments.

Sunday, 8 March 2009

Before You Get In...

Kilgour's finest. Picture via Sleevehead. Usual rules apply.

...you should probably read about what the job's *really* like.

By my own confession, I was a pretty bloody rubbish account handler. As a result of this, i've got tremendous respect for those who can do the job well.

A new blog has started, one called Adland Suit.

Mr Suit is a senior suit at an agency, and writes candidly about what the job's like, and how he/she/it is finding things.

Well, he/she/it has just written an excellent post on what the job entails. Have a read of this - 'everything is your fault'. Great stuff, and it takes no prisoners.

Tuesday, 17 February 2009

An Awesome Grad Role

This is Alfonso, the original Geronimo fish. Check him out on Twitter.

Hey everyone.

Geronimo
, the agency I work at are hiring! We're looking for a junior account executive to start soon to work on ING, SEAT and a bunch of new business stuff that's too secret for me to talk about on the interwebs.

We're a small-ish agency so you have to be immensely awesome in all ways, shapes and forms. If you have any questions or want to apply, send me an email with your CV so I can pass it on to HR pronto. Boom. And good luck!

Oh and no headhunters please. Muchos gracias.

Updatification: I've had about 5 CVs through in the 2 hours this has been up, keep 'em coming and thanks and good luck. Also when I wrote no headhunters I meant no headhunters. Thanks!

Update numero dos: I'll keep this post up until Friday and then it'll be looking at CVs time, have had 13 so far. Gimme some more.

Friday, 13 February 2009

Star Stories: Rory Sutherland


Our next Star Story comes courtesy of Rory Sutherland, Ogilvy One London's Executive Creative Director and Vice Chairman, and the Ogilvy Group UK's vice chairman and the forthcoming IPA President for 2009/10. Oh, and he also writes an excellent blog on Brand Republic.

HOW I GOT INTO THE BUSINESS

by Rory Sutherland

My story? A little similar to Jon Steel's, in that I thought I was going to become a teacher. A plan that was rapidly abandoned once I spent some time actually in a school. This experience terrified me. Not in the way you might think, though: it was rather a good school, and the pupils were well mannered and amusing - no, what frightened me wasn't the classroom but the staffroom.

Imagine your entire life since the age of five spent either learning or teaching in educational establishments. It's not a good idea. Remember, too, that this was the late 80s, a time when the lack of entrepreneurial spirit and ambition in much of the staffroom seemed completely at odds with the times. I remember one female teacher was married to a partner at a law firm in London. She drove to school in quite a nice car. Not a Bentley or anything, you understand, but something that wasn't an Austin Maestro. I think it may have been a Fiat X-19, if you remember the thing. Anyhow, once her back was turned she was routinely villified for having the temerity to drive this car. Sod this, I thought.

I applied to 19 agencies half way through the year, and had about six interviews and two second interviews. At JWT (which involved two days away at a place called Minster Lovell to check you held your fork correctly and owned the right part of Derbyshire and so on) and at Ogilvy & Mather Direct, the latter making me my sole job offer. From September 1988, and for about a year thereafter , I was the world's worst account man, then became a copywriter in 1990, a rare move (rarer still now, I suspect) which required great support from a number of people to whom I owe thanks to this day - Drayton Bird, Steve Harrison, Dan Gipple, David Watson, Andy Firth and David Nobay being many but not all of them. I also owe my job to an anonymous advertising copywriter who was the other candidate for the one available copywriting job in the department at that time, but who took one look at a long copy ad and a mailpack on the walls, loudly declared "I'm not writing all those words - I just do concepts" and promptly flounced off.

Two lessons, here. First, get a job at a good agency doing anything. After a while, if you're good you can probably choose to do something else and if you're bad (and I was a very bad account man, once even failing to turn up at a time management course because I'd got the date wrong) there's a small chance they may give you a chance elsewhere to see the back of you. It's only a small chance, but the odds are probably better from the inside than from outside.

The second thing? I can't help here much, but be lucky in the place where you start. We probably did not realise it at the time, but O&M Direct (now OgilvyOne) in 20 Soho Square was one of those supernode wellspring places you get in advertising and direct marketing (quite possibly it still is, but we won't know for another ten years). The assemblage of talent was tremendous: in addition to the above named were Rod Wright, Mike Simm, Randy Haunfelder, Derek Robson (now at Goodby), Miles Young, Paul O'Donnell (still here) and many more great people. Plus Drayton Bird had a Bentley Turbo even though he couldn't drive, which rather confirmed my suspicion that the automotive prospects were at least better there than in teaching.

Sometimes I feel a little like the Peter Sellers' "Chauncey Gardner"character in Being There. I had lucked into an interesting place with great people at exactly the right time. We were lucky in other ways, too. in the 90s we picked up an obscure Seattle company called Microsoft. I can still remember meetings where anyone new to the account had have explained to them what the company did - "You know when you turn on your PC is says MS-DOS for about a second? Well the MS stands for Microsoft." Looking back, this was rather a stroke of luck. Having software clients (and later we had Compaq, too, to be followed by IBM) meant we took IT quite seriously. And when the Internet became big, there were some of us who already knew what it was.

Advice on first becoming a copywriter? Advice which, now I think of it, holds good for any creative person anywhere, and at any time, for that matter. Work very hard and look for opportunity everywhere. Absolutely everywhere. Not only in the briefs you are given. And not only in the fashionable briefs. A few early breaks I had were a tactical ad for BT which ran on the evening Mrs Thatcher resigned and a wonderfully cute piece of work to small tradesmen for American Express. Mailpacks to small businesses - not promising. As Drayton Bird was fond of quoting (from Bacon) "A wise man makes more opportunities than he finds."

But a more important question than "how did you get started?" is "how do you stay interested?" What keeps you enthusiastic?

In the early days, I feel I must record my debt (a debt shared every one of us in direct marketing from those days) to Howell Henry Chaldecott Lury.

For the hottest agency in London in those days to do promotions and direct marketing because they wanted to not because they had to was an inspiration to all of us. Its approach to innovation was truly a revelation. I think, deep down, most British people in the business are either temperamentally BBH-ites or HHCL-ite - the school of "sexy" versus the school of "new".
Even though it lived less long, I think I am temperamentally a HHCL-ite. It's one of those Beatles or Stones things - everyone goes one way or the other - all, that is, except me.... I'm for Jim Reeves.

A little later (and what a shame it is HHCL never fully lived to see the digital age) , new media have added a new dimension to what we do, which has made possible innovation of a kind that seemed years off when we first started.

Subsequently? Well, I have been enthused by one simple fact, of which I remind myself every time I get a little low. This is one of very few jobs where doing almost anything of interest can make you better at your job.

Actuaries, bankers, acountants - their jobs aren't improved by watching people in a cafe, listening to conversations from bus passengers or taxi drivers, reading a book about history or economics or watching a film. We can become better copywriters in our spare time. Never forget what a rare and wonderful thing that is.

Friday, 30 January 2009

Another Grad Opportunity...

Here's hoping that's not you vs the creatives/the client..

This one nearly slipped through the net. Lean Mean Fighting Machine have a graduate opportunity for a three month internship.

You can apply for it by emailing your CV to ahancock@leanmeanfightingmachine.co.uk.

Best of luck.

Wednesday, 7 January 2009

Calling All Designers

An open door. Pic from serp77

Ok guys here's the deal:

A ninja-in-training type digital agency in London needs an AWESOME graduate digital designer to do some really cool stuff across their client base. You’ll need to be down with Flash, HTML, CSS, Photoshop and all types of web-related code goodness.

Email me if interested and I'll give you the details.

Good luck!

Tuesday, 6 January 2009

Extensions and Another Opportunity

Just a quick update to let you guys know that Publicis have opened up their applications for this year, deadline is 1 February at 6pm and the application is here.

Also remember you can still apply to Dare as they've extended their deadline to the 20th of January. Dare's application is here.

Good luck y'all.